Sci-Fi/Fantasy Roundup

It has been a big week in Sci-Fi and Fantasy in the podcasting world, but the biggest news has to be the astounding success of JC Hutchins' second novel launch, 7th Son: Descent. The blogosphere and Twitter were virtually on fire yesterday as Hutchins' fanbase rushed bookstores and e-retailers across America to show their support for this storyteller, who has brought so many listeners so much great fiction over the past four years.
Descent rocketed up the Amazon charts, peaking at 188 overall, which is a phenomenal achievement and a credit to Hutchins and the commitment of the Beta Clone Army. Congratulations, Hutch. You worked bloody hard, and you've earned every bit.


While 7th Son is a hard act to follow, I can assure you that there are plenty of other great sci-fi and fantasy podcasts out there, hanging around for free, just waiting for your ears to find them. Here are a few of them.


Top of the charts for in-progress releases in my book right now is The Gearheart, an inspired steampunk novel brimming with brass goggles, grand airships, blazing magic, treachery, gunfights, murder and darkness.
Written, performed and produced by Alex White, with the female parts performed by Renée White, The Gearheart is a sleek production, tightly wrapping up an enthralling and brilliantly narrated piece of steampunk fiction.

Alex White also composes all the music for this podcast, and promos the music of steampunk bands at the end of each show. Never heard of a steampunk band? Well, now's your chance.

Well worth a listen. Also, be sure to hang on for the nifty little alternate universe ads at the end - Hilarious!


If you've ever wondered what a drabble is, I just learned that it's a piece of fiction written in under 100 words. So how do you write a drabble novel?
Jake Bible seems to have the idea over at Dead Mech. Written in 100 word snatches, Dead Mech builds a post-zombie-apocalypse world where the few survivors battle the undead in Mech-Warrior style battle-mechs, but it's not that simple: now the zombies have them too.

The drabble style makes for an urgent, non-stop pace to this story, only in its third episode so far. Brutal and gritty, Dead Mech is a step inside a future we should all hope never comes about. It's early days for Dead Mech right now, but so far, so good.


Scott Roche is currently releasing the second book in his Archangel Series, Legion. I have just finished Book 1, Valley of the Shadow, and it is quite an enjoyable listen. The audio quality starts out a bit patchy, but with a bit of perseverance - and a new mic for Father's Day - this picks up nicely inside of about six episodes.
Archangel is a tale of demons and those who hunt them, but it is more than just action and spectacle. Roche delves into social, spiritual and metaphysical discussions over the course of the story, drawing on the mystic and religious beliefs of several cultures to ask questions that go much deeper than the simple debate between good and evil. Archangel challenges the values of morality and ethics in a world where so much that is corrupt reigns. This is a book that is as thoughtful and incisive as it is a heart-pounding adventure.

The second volume, Legion, is a full voice-cast production, and gets off to an intriguing start as well. Looking forward to getting into that.


Weighing in for good old-fashioned fantasy, AP Stephens' book The Stolen Moon of Londor is now releasing as a podcast novel in weekly installments.
Londor is the tale of a band of heroes, set on a quest to discover what happened to one of their world's moons, which has disappeared from the sky completely. With its disappearance, the magic of the world is fading. It's up to the heroes to find it before the magic of Londor evaporates for good - that is, if they don't strangle each other or get torn apart by rampaging werewolves first.

Rooted deep in traditional sword and sorcery, Londor is a compelling tale, narrated by Richard Webster. If you like your elves dark and your heroes moody, this is the one for you. But beware - here be monsters.

This is by no means all that's going on out there, but it's what I've been soaking up in the past few weeks. If you've got a podcast that I've missed, feel free to drop a comment below with a link so I can check it out.

'Toothless' Trailer

In a quick update to my last review, JP Moore has released a trailer for the Toothless audiobook, featuring the artwork of Scott Purdy and music from The Monster Symphony by Devin Anderson.



Enjoy!

Podcast Novel Review: "Toothless" by JP Moore

Meet J.P. Moore, genre-bending master of the dark and horrific, author of Toothless.

Not that I would have ever thought that, having encountered him first on Twitter, where he is truly a gentleman and a wit, to boot.

I was first enticed to listen to Toothless after following JP on Twitter, where I read a tweet he wrote which went something like this (and I paraphrase):

"So, you take issue with the historical inaccuracies in my audiobook Toothless. Was it the zombies or the demons that annoyed you more?"

Or words to that effect. How I laughed. And, accordingly, I had to get this book.
Imagine my surprise, then, when I get into it, expecting something lively and comic in a brutal, undead monsters sort of way. It is not.

Toothless is anything but comic, except in the blackest sense, but it is brutal, and it is utterly brilliant.

Moore sets himself a raft of challenges in setting this story up, not the least of which is the difficulty of making his main character - the eponymous Toothless - an undead warrior who draws his power by slaying the living, as his demon master leads his fell legions across medieval Europe. Martin was a Templar knight, and his jaw is hacked off in battle by the demon who kills him. When he is reanimated, his mortal memories fleeing his frail shell, he is given the moniker Toothless, and is set to destroying the living, combatants and innocents alike.(Artwork Copyright Scott Purdy 2009)

In this, Moore has his second task: to engage the listener with this lead character who cannot, by any means, speak. I was expecting some contrivance to allow Toothless a voice, but Moore plays the hand he has dealt himself with sheer determination, never once bowing to the lure of dark magic or telepathy to allow his anti-hero communication. In doing so, he reminds us of just how cheap talk really is. Toothless doesn't need to talk. His actions are everything.

Moore takes this tragic beginning and spins it out into a tale of woe, loss, despair, and the dauntless face of human courage despite insurmountable and indescribable odds. Toothless struggles with his guilt and grasps desperately to the fleeting memories he still holds of his lost wife and daughter. In these memories, in the loves he knew as a man, are the seeds of his redemption, and therein lies the story of Toothless.

What really kept me coming back to this book, however, was not the originality of the blended genres or even the need to know how Martin's final quest is resolved, but simply Moore's command of the English language. The writing is simply superb, painting the bleak yet inevitable collapse of civilisation before the Black Yew in infinite shades of mist and grey, scoured with blood and decay. Moore wraps his words around your ears like a fog, swirling to reveal the dying world in awful, sorrowful slivers. I was constantly drawn into the sheer poetry of Moore's prose, often paying more attention to the words themselves than the actual story.

The audio production is crisp and clean, and Moore's dry narration is well-suited to the dark, brittle tale he weaves.

If anything, I found that the story was in places a bit slow to progress, but the excellence of the writing more than made up for this small failing - one which, I'm sure, could easily be remedied in the editorial process.

I rate Toothless at 4 Stars out of 5, with a 5 Star Special Award for Awesome Prose.

Yes, I can make awards up if I so desire. See, I just did.

Behold, For He Is MELZER!

All of us here at the Podagogue (that is, me) would like to give a big shout of congratulations out to James Melzer, author of The Zombie Chronicles, for scoring a book deal with publishing giants Simon and Schuster.
It's fantastic to see all the hard work paying off for another fantastic podcasting author.

Nice work, Melzer. All the best for the future!

If you haven't already read my review of The Zombie Chronicles, follow the link.

Beware the Invasion

In only a few hours now, an Invasion is going to be unleashed.

I can't say what it will be, our only warning comes from the disturbed genius known as Melzer.

Mur Lafferty tried to get the message out, but they got to her first.




So now we can only lock our doors, load our shotguns, and hope that living on an isolated island at the bottom of the South Pacific will be safe from the horror we can only imagine.

(Apologies to you poor souls who live much closer to the actual Invasion. I'll be thinking of you as the news feeds drop out, one by one.)

Review: "The Zombie Chronicles" Book 1 - Escape by James Melzer

Originally Published at Freshly Ground on May 14th 2009

Here's a podcast you can really get your teeth into.

James Melzer is one of a new breed of writers who are finding success by eschewing the traditional methods of shopping a manuscript to agents and editors, and are instead puffing out their lungs, warming up their vocal chords, and releasing their works into the wild - in the form of free podcast downloads.

As you know, I've been going on about this for a while now. As anyone who follows me on Twitter will know, I'm pretty much obsessed with podcast novels at the moment.The Zombie Chronicles - Book 1: Escape has continued to feed this addiction. This is storytelling with bite.

I had my reservations, as I greatly fear all the cliches that are associated with zombies. Zombies have gone so far into the laughable in the past twenty-odd years that it's a he!! of a job trying to make them scary again. Somehow, Melzer has written a zombie book that at once encapsulates all those worn-out tropes and injects the zombie genre with a new lease on life.

(Ah, will the puns never end?)

From the first chapter, I was grabbed by the freshness of Melzer's writing, his wry wit and the way he pulls a middle finger at all the stale baggage that zombies bring with them. Despite the title, this is no 28 Days Later. Without wanting to bring any spoilers to the table, I think it's safe to say that Melzer has single-handedly reinvented the zombie genre, while never abandoning everything we love about zombie stories - decaying flesh, the lust for human meat, brains exploding under well-aimed headshots.

TZC brings unexpected twist after twist, none of which have any place in the story you think you're listening to. But Melzer pulls it off with style, wit and lots of disintegrating sinew. I almost panicked when iTunes wouldn't give me the last chapter. Desperate measures were taken to hear the last part of this book, I guarantee you.

If you're into zombies even a little bit, you must listen to this podcast - or buy the book, when it comes out later this year (full disclosure - I get nothing from promoting any of the podcasts I review. I just dig that these guys and girls are so cool about it). If you like a good action story, or anything with a twist, this is also brilliant.

The audio quality is faultless. Melzer pulls off his voices without any problem, and has chosen not to clutter up the soundscape with effects. I think that if a podcaster/audio producer has the means and the ear to do good music and effects, and it doesn't cut drastically into their available timeframes, and that if adding M&E really fleshes out the world, then they ought to do so. But if a writer embarking on the huge task of recording a podcast feels they don't have the means or the skills to do this well, I thank them for not ruining an otherwise good production with a subpar effects track. It's nice to just appreciate the writing and the performance for what they are.

(To those podcasters who do put in the effort and do it well, keep up the good work. I love it all!)

I highly enjoyed this podcast. What it may have lacked in substance, it made up for in plot twists, gunfights, and exploding heads. Having said that, I felt close enough to all the characters to really want to root for them, although I was never really sure if I could trust anyone at all. Fantastic stuff.

TZC gets a solid 4 1/2 Stars out of 5 from me.