Joanna Penn interviews award-winning Voice Talent extraordinaire Jeffrey Kafer. Highly recommended for anyone thinking about podcasting their own novel, or recording audio in general.
In an unforeseen tragedy, podcast author JC Hutchins has met an untimely end off the shores of Florida. He has a video here to tell you about it, somehow, from beyond the grave. Creepy.
Phil Rossi's Chart Rush for his debut novel, Crescent, was a roaring success, shooting the book up to #52 in Bestsellers and #5 in Horror Fiction. My copy, however, is still in transit. *gnaws knuckles in frustration*
Jack Kincaid of Deadsville 9 Entertainment, author of Hoad's Grim, has released another free short story, Pelluci's Stingers. Kincaid continues to bring his chilling narrator to bear on his fiction in this bizarre and disturbing tale.
Zombie-God James Melzer continues with his Unleashed Podcast, interviewing Goblin Market Author Jennifer Hudock and JP Moore, author of Zombie-Templar novel Toothless. Melzer's recent announcement that his Zombie Chronicles Trilogy has been picked up by Simon and Schuster has kept him flat out, but he keeps bringing a fantastic energy to his podcasts. In this week's episode, Melzer puts the dreaded adverb to death. Brutally. (uh-oh...)
Seth Harwood, on the other hand, is taking it easy, and Podcasting from his Hot Tub. Not surprisingly, the afore-mentioned James Melzer has got in on that action. I'm so in the wrong job.
Friday, July 24, 2009
Friday, July 17, 2009
Classic Podcast Novel Review: '7th Son' Trilogy by JC Hutchins
There are a handful of podcasting authors whom I consider pioneers. At the top of this list are Scott Sigler, now a NY Times Bestselling Author, Mur Lafferty, author of the Heaven series of podcast novels, and JC Hutchins, author of 7th Son.
The 7th Son Trilogy already has a veritable legion of fans, being constantly referred to by commentators across the podcast world as "the hugely popular podcast series" or "the audiobook phenomenon", or words to that effect.
I deduced that my podcast novel education had not even begun until I had listened to this book in its entirety, and so I did. Do you see this grin? I can see why 7th Son is such an enduring and seminal work, such a standout specimen for its genre.
Not only that, but it is a pioneering work. 7th Son was among the first of the free-to-the-wild audiobook releases that have come to characterise and define the podcast novel community in the past couple of years, and continues to rank highly in the charts at Podiobooks.com; at the time of writing this, 7th Son Book 1:Descent features at #4 Overall by Votes, #7 by Subscriptions in the Last 30 Days, and #2 in All-Time Top Subscriptions - while Book 2, Deceit, holds its place at #6.
In large part, I'm sure that this success has to do not only with Hutchins' skill at weaving a narrative and leaving the reader hanging out for more, but also his tireless devotion to promoting both his own books and those of others in the podcast community. Nothing gives back to you like giving something away, be it fiction or help and support.
Hutchins' ability to tease every possible opportunity for exposure out of the emerging social media devices available to him is extraordinary, from his constant presence on Twitter to the transmedia novel experience that is Personal Effects: Dark Art, which brought about an explosion of book trailers and video blurbs by authors and fans alike in its support.
Hutch is the guru of the social media world, and this has paid off for him in spades.
Of course, none of this would be worth a bar of soap if the writing and story aren't fantastic. So what is it about 7th Son that has made it such an instant classic? Hutchins brings the skill of a master storyteller to this tale, weaving a diabolical web of tech-noir, intrigue, science fiction, and a dash of horror for good measure, and wraps it all up with a heart-thumping pace.
In short, this book doesn't know what the phrase "dull moment" even looks like, much less means.
Book 1, Descent, starts with the murder of thePresident of the US by a 4-year old boy, which sets in motion a series of events that leads to seven complete strangers being brought together for the first time - or so they think. As first the US and then the world are thrown into chaos, this group of young men discover that they are not as different as they seem at first; that they are in fact more alike than they could have ever imagined.
They are clones, the product of an uber-secret government project called 7th Son, and it is their Alpha - the man they were cloned from - that is behind the murder of the President. But this murder is only the start of the mayhem that Alpha has in store for the world. As the clones start to track a breadcrumb trail of clues in the hope of finding and thwarting Alpha, more violent and chilling acts are brought down on the world, and time is always running out.
This is the setup, and the story only gets better from there. Hutchins writes his characters with wit, precision, and a depth of character that most novelists should envy. For seven characters all cut from the same cloth, they are remarkably different, yet share enough nuances that it is clear they are brothers, after a fashion, however different their lives may have made them.
The same can be said of Hutchins' performance. Unlike Sigler, whose characters tend to have wildly different voices for the sake of clarity, the Beta Clones are all a subtle variation on the same aural theme, and as the sole voice talent in a book with a huge cast of characters, the author still manages to project something unique with each of the clone's voices. It's one thing to shift accents and drop octaves while jumping between massively different personas, but quite something else to tease out subtle shades of the same voice and manage this consistently over several hours of performance. But Hutch pulls this off with class.
Aside from this victory, Hutchins' audio productions are slick and professional. He opted out of using atmos or sound effects tracks, so the weight of the story rests completely in the power of the narrative, the art of the words used to deliver that narrative, and his own performance. If I have one minor complaint about the mastering, it is that the music that rocks up at every cliffhanger episode ending always seems just a fraction too loud. Captivated by the story and whatever new twist Hutchins has just unleashed, the sudden shock of guitars and drums always had me ripping the headphones from my ears. I learned to watch the time and be ready to get them out ahead of the sudden burst of over-adrenalised rock, but it never stopped me diving into the next chapter as soon as I could.
Hutchins also has a publishing deal with St Martins Press, and 7th Son: Descent is due for release as a real-life book in October. And just to prove that its not just podcast fans who think Hutchins is a genius, Warner Bros have optioned the rights to develop 7th Son as a film, perhaps (hopefully) a series of films.
Podagogue gives 7th Son the full 5 Star treatment.
If you're looking for a place to start listening to podcast novels and you enjoy a good tech-noir thriller, you'll be hard pressed to find a series better than 7th Son.
Click on any of the images above to go the Podiobooks.com page for the pictured book.
The 7th Son Trilogy already has a veritable legion of fans, being constantly referred to by commentators across the podcast world as "the hugely popular podcast series" or "the audiobook phenomenon", or words to that effect.
I deduced that my podcast novel education had not even begun until I had listened to this book in its entirety, and so I did. Do you see this grin? I can see why 7th Son is such an enduring and seminal work, such a standout specimen for its genre.
Not only that, but it is a pioneering work. 7th Son was among the first of the free-to-the-wild audiobook releases that have come to characterise and define the podcast novel community in the past couple of years, and continues to rank highly in the charts at Podiobooks.com; at the time of writing this, 7th Son Book 1:Descent features at #4 Overall by Votes, #7 by Subscriptions in the Last 30 Days, and #2 in All-Time Top Subscriptions - while Book 2, Deceit, holds its place at #6.
In large part, I'm sure that this success has to do not only with Hutchins' skill at weaving a narrative and leaving the reader hanging out for more, but also his tireless devotion to promoting both his own books and those of others in the podcast community. Nothing gives back to you like giving something away, be it fiction or help and support.Hutchins' ability to tease every possible opportunity for exposure out of the emerging social media devices available to him is extraordinary, from his constant presence on Twitter to the transmedia novel experience that is Personal Effects: Dark Art, which brought about an explosion of book trailers and video blurbs by authors and fans alike in its support.
Hutch is the guru of the social media world, and this has paid off for him in spades.
Of course, none of this would be worth a bar of soap if the writing and story aren't fantastic. So what is it about 7th Son that has made it such an instant classic? Hutchins brings the skill of a master storyteller to this tale, weaving a diabolical web of tech-noir, intrigue, science fiction, and a dash of horror for good measure, and wraps it all up with a heart-thumping pace.
In short, this book doesn't know what the phrase "dull moment" even looks like, much less means.
Book 1, Descent, starts with the murder of thePresident of the US by a 4-year old boy, which sets in motion a series of events that leads to seven complete strangers being brought together for the first time - or so they think. As first the US and then the world are thrown into chaos, this group of young men discover that they are not as different as they seem at first; that they are in fact more alike than they could have ever imagined.
They are clones, the product of an uber-secret government project called 7th Son, and it is their Alpha - the man they were cloned from - that is behind the murder of the President. But this murder is only the start of the mayhem that Alpha has in store for the world. As the clones start to track a breadcrumb trail of clues in the hope of finding and thwarting Alpha, more violent and chilling acts are brought down on the world, and time is always running out.
This is the setup, and the story only gets better from there. Hutchins writes his characters with wit, precision, and a depth of character that most novelists should envy. For seven characters all cut from the same cloth, they are remarkably different, yet share enough nuances that it is clear they are brothers, after a fashion, however different their lives may have made them.The same can be said of Hutchins' performance. Unlike Sigler, whose characters tend to have wildly different voices for the sake of clarity, the Beta Clones are all a subtle variation on the same aural theme, and as the sole voice talent in a book with a huge cast of characters, the author still manages to project something unique with each of the clone's voices. It's one thing to shift accents and drop octaves while jumping between massively different personas, but quite something else to tease out subtle shades of the same voice and manage this consistently over several hours of performance. But Hutch pulls this off with class.
Aside from this victory, Hutchins' audio productions are slick and professional. He opted out of using atmos or sound effects tracks, so the weight of the story rests completely in the power of the narrative, the art of the words used to deliver that narrative, and his own performance. If I have one minor complaint about the mastering, it is that the music that rocks up at every cliffhanger episode ending always seems just a fraction too loud. Captivated by the story and whatever new twist Hutchins has just unleashed, the sudden shock of guitars and drums always had me ripping the headphones from my ears. I learned to watch the time and be ready to get them out ahead of the sudden burst of over-adrenalised rock, but it never stopped me diving into the next chapter as soon as I could.Hutchins also has a publishing deal with St Martins Press, and 7th Son: Descent is due for release as a real-life book in October. And just to prove that its not just podcast fans who think Hutchins is a genius, Warner Bros have optioned the rights to develop 7th Son as a film, perhaps (hopefully) a series of films.Podagogue gives 7th Son the full 5 Star treatment.
If you're looking for a place to start listening to podcast novels and you enjoy a good tech-noir thriller, you'll be hard pressed to find a series better than 7th Son.
Click on any of the images above to go the Podiobooks.com page for the pictured book.
Monday, July 13, 2009
Are There Aliens Among Us?
Kudos to the always interesting Only The Best Sci-Fi/Fantasy blog for spotting this creepy piece of work:
Are there aliens living in the sewers of North Carolina? Some scientists think not.
What do you think?
Are there aliens living in the sewers of North Carolina? Some scientists think not.
What do you think?
Friday, July 10, 2009
Phil Rossi's 'Crescent': Now is the Hour
As we speak, Phil Rossi's Sci-Fi Horror Epic Crescent is rushing the Amazon Charts.
If you listened to the Crescent Podcast Novel and have been thinking about buying the book, now is the time. Right now.
If you haven't listened to the podcast, but you are a fan of dark and gritty sci-fi horror, now is the time to buy the book.
Like I said when JC Hutchins stormed the charts with Personal Effects: Dark Art, this is about more than just generating sales for a favourite author.
Supporting podcast fiction authors who break into the market of published books is a validation that the business model, which revolves around giving stuff away for free, can actually work. It proves that the free-to-the-wild audio format is a value-adding aspect of a good book, not a profit-leeching misconception. It's important that the publishers who have the foresight to take this risk see that it is a worthwhile one. It matters to every podcasting author out there, and every podcast fiction fan.
Help make it happen.
I've bought my copy, because I want to see Phil Rossi on book shelves everywhere, for years to come. I'm starting with my own.
If you listened to the Crescent Podcast Novel and have been thinking about buying the book, now is the time. Right now.If you haven't listened to the podcast, but you are a fan of dark and gritty sci-fi horror, now is the time to buy the book.
Like I said when JC Hutchins stormed the charts with Personal Effects: Dark Art, this is about more than just generating sales for a favourite author.
Supporting podcast fiction authors who break into the market of published books is a validation that the business model, which revolves around giving stuff away for free, can actually work. It proves that the free-to-the-wild audio format is a value-adding aspect of a good book, not a profit-leeching misconception. It's important that the publishers who have the foresight to take this risk see that it is a worthwhile one. It matters to every podcasting author out there, and every podcast fiction fan.
Help make it happen.
I've bought my copy, because I want to see Phil Rossi on book shelves everywhere, for years to come. I'm starting with my own.
Thursday, July 9, 2009
Behold, For He Is MELZER!
All of us here at the Podagogue (that is, me) would like to give a big shout of congratulations out to James Melzer, author of The Zombie Chronicles, for scoring a book deal with publishing giants Simon and Schuster.
It's fantastic to see all the hard work paying off for another fantastic podcasting author.
Nice work, Melzer. All the best for the future!
If you haven't already read my review of The Zombie Chronicles, follow the link.
It's fantastic to see all the hard work paying off for another fantastic podcasting author.
Nice work, Melzer. All the best for the future!
If you haven't already read my review of The Zombie Chronicles, follow the link.
Sunday, July 5, 2009
Podcast Novel Review: "The Failed Cities Monologues" By Matt Wallace
If you don't like the thought of how blood might taste in your mouth, don't listen to this book.
If you don't like to hear bones snapping inside your head while you listen to a podcast, don't listen to The Failed Cities Monologues.
And just to make it clear, the crew at Variant Frequencies don't need a sound effects library to drop the pit out of your stomach. Matt Wallace does all this and more just by screwing words into your ear, with all the sharp edges and deadly precision of a power drill.
TFCM is a bleak and powerful tale of two cities collapsing under their own weight at the nether reaches of a dystopic future that doesn't seem entirely impossible. Assembled as a series of monologues, as the name suggests, TFCM is told from the perspectives of eight characters caught up in events that spiral out of control and lead to a bloody and violent endgame. With each shift of character, Wallace adapts his writing style without missing a beat, capturing each of his unfortunate souls with unique blends of tone, nuance and voice. Different narrators perform specific characters, lending an even greater depth of credibility to the unorthodox story-telling structure.
Hovering somewhere between sci-fi, horror, and action, TFCM pulls no punches whatsoever. Wallace has created a world of shadow, flame, deceit and misery. There is nowhere to run and hide, not for the characters on either side, and not for the reader. But once you start into this book, you won't be able to give it away.
Wallace is more than just a superb storyteller; he is writer of some of the best modern prose I have read or heard in a long time. He gets under his characters' skins, and through them, under his readers'/listeners' skins. You'll feel him crawling around there, wishing you could scratch him out, but not really wanting to either.
The audio production is equally superb. Rick Stringer does a masterful job of producing a clean, clear product, which does Wallace's writing fantastic credit. Music themed to the various characters is woven from chapter to chapter, orienting the listener, and excellently matched to the narrators' voices and delivery. The levels remain impeccable throughout. Thoroughly professional in every regard. I tip my hat.
Fantastic writing, great performances, faultless production.
I give TFCM the full 5 Stars with the following caveat: This one is not for the faint-hearted. This is a brutal world, and Matt Wallace is a merciless god lording over it. He will not treat you kind (but you will beg for more).
Enter at your own risk.
If you don't like to hear bones snapping inside your head while you listen to a podcast, don't listen to The Failed Cities Monologues.
And just to make it clear, the crew at Variant Frequencies don't need a sound effects library to drop the pit out of your stomach. Matt Wallace does all this and more just by screwing words into your ear, with all the sharp edges and deadly precision of a power drill.
TFCM is a bleak and powerful tale of two cities collapsing under their own weight at the nether reaches of a dystopic future that doesn't seem entirely impossible. Assembled as a series of monologues, as the name suggests, TFCM is told from the perspectives of eight characters caught up in events that spiral out of control and lead to a bloody and violent endgame. With each shift of character, Wallace adapts his writing style without missing a beat, capturing each of his unfortunate souls with unique blends of tone, nuance and voice. Different narrators perform specific characters, lending an even greater depth of credibility to the unorthodox story-telling structure.Hovering somewhere between sci-fi, horror, and action, TFCM pulls no punches whatsoever. Wallace has created a world of shadow, flame, deceit and misery. There is nowhere to run and hide, not for the characters on either side, and not for the reader. But once you start into this book, you won't be able to give it away.
Wallace is more than just a superb storyteller; he is writer of some of the best modern prose I have read or heard in a long time. He gets under his characters' skins, and through them, under his readers'/listeners' skins. You'll feel him crawling around there, wishing you could scratch him out, but not really wanting to either.
The audio production is equally superb. Rick Stringer does a masterful job of producing a clean, clear product, which does Wallace's writing fantastic credit. Music themed to the various characters is woven from chapter to chapter, orienting the listener, and excellently matched to the narrators' voices and delivery. The levels remain impeccable throughout. Thoroughly professional in every regard. I tip my hat.
Fantastic writing, great performances, faultless production.
I give TFCM the full 5 Stars with the following caveat: This one is not for the faint-hearted. This is a brutal world, and Matt Wallace is a merciless god lording over it. He will not treat you kind (but you will beg for more).
Enter at your own risk.
Friday, July 3, 2009
This Week in Online Audio Fiction
So here's a quick Wrap-Up of what's been going on in the Podcasting and Online Audio Fiction world this week.
It doesn't get crazier than this: To promote his transmedia novel Personal Effects: Dark Art, author JC Hutchins is giving away a SWORD. Yes, thanks to Matt Wallace, author of The Next Fix, The Failed Cities Monologues and the KILL the FEED Podcast, Hutchins is offering his fans an opportunity to win a real-life sword, signed in blood, to coincide with the Sword of Blood novella podcast. And all you have to do to enter is help promote PE:DA to your friends.
Phil Rossi has released Episode 1 of his new podcast novel, Harvey, to the sound of long-held breaths being expelled by his many fans. Meanwhile, Rossi's Cover Me contest continues on Twitter and YouTube. Remember, July 9th, 1pm (EDT?) is the time and the date to storm Crescent up the Amazon charts. I'll be getting up early for that one (6am over here!).
I'd like to express my thanks to the wonderful people at Tor.com who put me onto Trunk and Disorderly, by Charles Stross. This short and hilarious sci-fi story is 13 chapters long and about 2 hours listening. It's like Monty Python on Mars, but better. Seriously refreshing comedy.
Jennifer Hudock has opened the gates to The Goblin Market. Get over there for a listen; dark fairy tale fantasy with heart. But don't, whatever you do, forgot to take a silver coin. Or it could all go bad.
Fantasy author Brain Rathbone has released the second instalment of his Dawning of Power Trilogy, Inherited Danger, as a free audiobook. If you haven't already, check out my review of the first book in the series, Call of the Herald.
And hot on the heels of launcing his Invasion, The Zombie Chronicles author James Melzer has dropped his new freeform podcast, Unleashed. Two episodes in one week, including a frank and funny interview with Jack Wakes Up author Seth Harwood. I was surprised by the tone of this interview, which was a lot more open than I've come to expect from author interviews in the past. Never have I heard a heard an author slam his publisher so hard in public. To anyone who is either a writer or an aspiring podcaster, this interview is a must to listen to.
If you have a podcast novel or other online fiction event that you think I should know about, especially in the audio world, leave me a comment with a link and I'll check it out. You can also find me on Twitter.
It doesn't get crazier than this: To promote his transmedia novel Personal Effects: Dark Art, author JC Hutchins is giving away a SWORD. Yes, thanks to Matt Wallace, author of The Next Fix, The Failed Cities Monologues and the KILL the FEED Podcast, Hutchins is offering his fans an opportunity to win a real-life sword, signed in blood, to coincide with the Sword of Blood novella podcast. And all you have to do to enter is help promote PE:DA to your friends.
Phil Rossi has released Episode 1 of his new podcast novel, Harvey, to the sound of long-held breaths being expelled by his many fans. Meanwhile, Rossi's Cover Me contest continues on Twitter and YouTube. Remember, July 9th, 1pm (EDT?) is the time and the date to storm Crescent up the Amazon charts. I'll be getting up early for that one (6am over here!).
I'd like to express my thanks to the wonderful people at Tor.com who put me onto Trunk and Disorderly, by Charles Stross. This short and hilarious sci-fi story is 13 chapters long and about 2 hours listening. It's like Monty Python on Mars, but better. Seriously refreshing comedy.
Jennifer Hudock has opened the gates to The Goblin Market. Get over there for a listen; dark fairy tale fantasy with heart. But don't, whatever you do, forgot to take a silver coin. Or it could all go bad.
Fantasy author Brain Rathbone has released the second instalment of his Dawning of Power Trilogy, Inherited Danger, as a free audiobook. If you haven't already, check out my review of the first book in the series, Call of the Herald.
And hot on the heels of launcing his Invasion, The Zombie Chronicles author James Melzer has dropped his new freeform podcast, Unleashed. Two episodes in one week, including a frank and funny interview with Jack Wakes Up author Seth Harwood. I was surprised by the tone of this interview, which was a lot more open than I've come to expect from author interviews in the past. Never have I heard a heard an author slam his publisher so hard in public. To anyone who is either a writer or an aspiring podcaster, this interview is a must to listen to.
If you have a podcast novel or other online fiction event that you think I should know about, especially in the audio world, leave me a comment with a link and I'll check it out. You can also find me on Twitter.
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